KOMEREON’s music emerged from the shadows of conceptual art, a quiet evolution that began in 1995 at Winchester School of Art. Their journey unfolded from vast sculptural realms of concrete and steel to the delicate precision of photorealistic paintings, each work an exploration of form and perception. Yet, it was in the solitude of a humble dorm bedroom—surrounded by the hum of synthesizers and the quiet of a rabbit hutch—that a deeper sonic passion took root, one that wove sound into art itself.
KOMEREON’s music emerged from the shadows of conceptual art, a quiet evolution that began in 1995 at Winchester School of Art. Their journey unfolded from vast sculptural realms of concrete and steel to the delicate precision of photorealistic paintings, each work an exploration of form and perception. Yet, it was in the solitude of a humble dorm bedroom—surrounded by the hum of synthesizers and the quiet of a rabbit hutch—that a deeper sonic passion took root, one that wove sound into art itself.
Their journey began with a digital Korg X5D in 1995, but it was in 1997, when an unexpected treasure—a Korg MS-10 found at a local dump—opened the door to analog synthesis, that their true transformation began. At the time, they went by the name V3, a fleeting identity in the unfolding story of sound.